Stages of Rot jars us out of our complacency and pushes us to see the inherent strangeness of existence and recognize that the underlying patterns and connections that make the web of life have come to be as they are now through a complex web of circumstance, and this web is dynamic, not static that everything is always in a state of flux and change, and that, all in all, life is an endless mystery.įrog in the Fall is a unique work, with a notable Japanese feel. The effect of reading Stages of Rot is of visiting a world that is a strange mirror of our own, reflecting our lives back at us in such a manner as, through the specific differences, we see how our world is arranged in a way that is only one of the many (infinite?) ways it could have been, and how it is that what we take as given in our lives has, in actuality, been “given” to us by… the universe, nature, evolution – god? – that, ultimately, we populate a world not of our own making. This world is different in other ways, but we are meant to recognize ourselves in its contours. – populate the skies, together with those, such as birds and insects, that are “normally” airborne.

The central visual ploy here is that we are presented with a world in which a splendid array of aquatic animals – whales, dolphins, jellyfish, etc.

Here we have a French-flapped softcover containing page after page of lush, full (but muted) color comics, beautifully printed (in Poland) on flat, off-white paper stock, presenting comics inspired by a mix of (mostly) Moebius, Miyazaki and Ernst Haeckel that as often as not is reminiscent of biological, zoological and anthropological illustration. Stages of Rot is a unique work of anthro-bio-zoological speculative fantasy, and, furthermore, is one that could really only succeed on its own terms in comics form.

Stages of rot linnea sterte